A luminous, aching vision of wartime grief: a red-haired woman in mourning black kneels at a child's bedside, her face buried in her hands, while a golden-haired toddler plays obliviously on the mattress behind her — and a radiant, ethereal Christ figure reaches tenderly toward her from the left. On the wall behind the bed hangs a framed portrait of a soldier in uniform, the silent explanation for her sorrow. Painted by Harold Copping for Raphael Tuck & Sons' prestigious "Oilette" series, this card captures the spiritual consolation messaging that flooded Britain during and after the First World War, when millions of families like this one grieved their men in uniform. The reverse carries a poem by Adela Wilkins — "Sorrow's hard touch may bruise the heart awhile… That they shall not be sad or comfortless" — and a biblical caption from St. John XIV:18, "I will not leave you comfortless," making it a devotional keepsake as much as a postcard. Never postally used, the card retains sharp color and clean borders, a fine example of Edwardian/WWI-era religious chromolithography at its most emotionally potent.